✚0264✚ German WW1 Songbook FFFF Gymnastics Federation Deutsche Turnerbund Buch


Original German Songbook (Liederbuch) of the "FFFF" Gymnastics Federation (Deutsche Turnerbund), 130 PAGES - IN WORN CONDITION, SIZE: cca 11 x 9 mm


German Gymnastics Federation (DTB -  Deutsche Turnerbund) - founded in 1848 on the 1st German Gymnastics Day in Hanau. A first Deutsches Turnfest was in 1860 Coburg discharged. In 1868 the DTB became part of the Deutsche Turnerschaft (DT). Parallel to the DT, the Social Democratic Workers 'Gymnastics Association (ATB) was founded in 1893, which has been known as the Workers' Gymnastics and Sports Association (ATSB) since 1919 and was banned by the National Socialists in 1933. In 1933, the DT tried to introduce itself as a further pillar in the NSDAP alongside the SA , but this failed because the dominance of an association that was hostile to competitive sports at the time was the NSDAP's claim to dominancebest men would have been hampered by sport. In 1935, the DT disbanded itself in the course of harmonization in the Nazi era. After the Second World War, the German Gymnastics Working Committee (DAT) was founded on September 13, 1947 during the first unofficial German Gymnastics Championship in Northeim, the pioneer of the DTB, which was founded again in 1950 in Tübingen. In 1952 it already had 900,000 members in over 6,100 clubs. In 1953 there was the first German gymnastics festival in the Federal Republic, the venue was Hamburg. The logo of the association is the so-called Turnerkreuz: FFFF - "Frisch, Fromm, Fröhlich, Frei" ("Hardy, Pious, Cheerful, Free") - Friedrich Ludwig Jahn (August 11, 1778 – October 15, 1852) was a German Prussian gymnastics educator and nationalist. He is commonly known as Turnvater Jahn, roughly meaning "father of gymnastics" Jahn. Jahn was born in Lanz in Brandenburg. He studied theology and philology from 1796 to 1802 at Halle, Göttingen at the University of Greifswald. After the Battle of Jena-Auerstedt in 1806 he joined the Prussian army. In 1809 he went to Berlin, where he became a teacher at the Gymnasium zum Grauen Kloster and at the Plamann School. Brooding upon what he saw as the humiliation of his native land by Napoleon, Jahn conceived the idea of restoring the spirits of his countrymen by the development of their physical and moral powers through the practice of gymnastics. The first Turnplatz, or open-air gymnasium, was opened by Jahn in Berlin in 1811, and the Turnverein (gymnastics association) movement spread rapidly. Young gymnasts were taught to regard themselves as members of a kind of guild for the emancipation of their fatherland. This nationalistic spirit was nourished in no small degree by the writings of Jahn. Early in 1813 Jahn took an active part in the formation of the famous Lützow Free Corps, a volunteer force in the Prussian army fighting Napoleon. He commanded a battalion of the corps, though he was often employed in the secret service during the same period. After the war he returned to Berlin where he was appointed state teacher of gymnastics, and took on a role in the formation of the student patriotic fraternities, or Burschenschaften, in Jena. A man of populistic nature, rugged, eccentric and outspoken, Jahn often came into collision with the authorities, and this conflict resulted in the closing of the Turnplatz in 1819 and Jahn's arrest. Kept in semi-confinement at the fortress of Kolberg until 1824, he was sentenced to imprisonment for two years. The sentence was reversed in 1825, but he was forbidden to live within ten miles of Berlin. He therefore took up residence at Freyburg on the Unstrut, where he remained until his death, with the exception of a short period in 1828, when he was exiled to Kölleda on a charge of sedition. In 1840 Jahn was decorated by the Prussian government with the Iron Cross for bravery in the wars against Napoleon. In the spring of 1848 he was elected by the district of Naumburg to the German National Parliament. Jahn died in Freyburg, where a monument was erected in his honor in 1859. Among his works are the following: Bereicherung des hochdeutschen Sprachschatzes (Leipzig, 1806), Deutsches Volksthum (Lübeck, 1810), Runenblätter (Frankfurt, 1814), Die Deutsche Turnkunst (Berlin, 1816), Neue Runenblätter (Naumburg, 1828), Merke zum deutschen Volksthum (Hildburghausen, 1833), and Selbstvertheidigung (Vindication) (Leipzig, 1863). A complete edition of his works appeared at Hof in 1884-1887. See the biography by Schultheiss (Berlin, 1894), and Jahn als Erzieher, by Friedric (Munich, 1895). Jahn popularized the motto "Frisch, Fromm, Fröhlich, Frei" ("Hardy, Pious, Cheerful, Free") in the early 19th century. Jahn crafted early models of the balance beam, horizontal bar, the parallel bars (from a horizontal ladder with the rungs removed), and the vaulting horse. In honor and memory of him, some gymnastic clubs, called Turnvereine (German:Turnvereine), took up his name, the most well known of these is probably the SSV Jahn Regensburg. A memorial to Jahn exists in St. Louis, Missouri, within Forest Park. It features a large bust of Jahn in the center of an arc of stone, with statues of a male and female gymnast, one on each end of the arc. The monument is on the edge of Art Hill next to the path running north and south along the western edge of Post-Dispatch lake. It is directly north of the St. Louis Zoo. In his time Friedrich Jahn was seen by both his supporters and opponents as a liberal figure. He advocated that the German states should unite after the withdrawal of Napoleon's occupying armies, and establish a democratic constitution (under the Hohenzollern monarchy), which would include the right to free speech. As a German nationalist, Jahn advocated maintaining German language and culture against foreign influence. In 1810 he wrote, "Poles, French, priests, aristocrats and Jews are Germany's misfortune." At the time Jahn wrote this, the German states were occupied by foreign armies under the leadership of Napoleon. Also, Jahn was "the guiding spirit" of the fanatic book burning episode carried out by revolutionary students at the Wartburg festival in 1817. Jahn gained infamy in English-speaking countries through the publication of Peter Viereck's Metapolitics: The Roots of the Nazi Mind (1941). Viereck claimed Jahn as the spiritual founder of Nazism, who inspired the early German romantics with anti-Semitic and authoritarian doctrines, and then influenced Wagner and finally the Nazis. However, Jacques Barzun observed that Viereck's portrait of cultural trends supposedly leading to Nazism was "a caricature without resemblance" relying on "misleading shortcuts". Viereck's claims concerning Jahn's supposed cultural influence, and influence on Nazism in particular, are not supported by evidence. The writings of the German Romantics do not even discuss Jahn, let alone endorse him. Joseph von Eichendorf's 1823 comedy "Krieg den Philistern" is unusual in mentioning Jahn at all, but does so only in order to ridicule him. Wagner, much influenced by Jahn according to Viereck, never even mentioned him. Scholarly focus on the völkischness of Jahn's thought started in the 1920s with a new generation of Jahn interpreters like Edmund Neuendorff and Karl Müller. Neuendorff explicitly linked Jahn with National Socialism. The equation by the National Socialists of Jahn's ideas with their world view was more or less complete by the mid-1930s. Alfred Baeumler, an educational philosopher and university lecturer who attempted to provide theoretical support for Nazi ideology (through the interpretation of Nietzsche among others) wrote a monograph on Jahn in which he characterises Jahn's invention of gymnastics as an explicitly political project, designed to create the ultimate völkisch citizen by educating his body.